In Beirut, traditional buildings in ruins, carrying the scars of the civil war (1975-1990), are gradually disappearing. Its accelerating urban renewal is characterised by intense land speculation, resulting in a change of scale within the city. This process is mainly driven by real estate developers, through the systematic purchase of contiguous plots with a view to owning an entire city block. The traditional typology of three-storey buildings is gradually being replaced by large glass towers, characteristic of a new Beirut skyline.
The construction site fences mark the separation between the future space and the current city. They prefigure the future new unity of the block and announce the image of the building before it is completed. This fine boundary is subject to the passage of time. The barriers bear witness to the length of time taken by the building site (real or simulated) and bear the traces of this.
Adorned with photo-realistic images and a vocabulary specific to property development, the barriers blend into the everyday environment of the city. Their lower height gives them a more appropriate scale, bringing them closer to pedestrians, where urban life takes its course, while in the background the towers soar skywards, creating new imaginary worlds.
[This project was carried out before the explosion that occurred in the port of Beirut on 04/08/2020].
Elise Helm, born in 1995, is a French-German photographer working between France and Belgium.
Trained as an architect, she develops a cross-disciplinary approach through personal projects that study spaces in transition.
Particularly interested in revealing the unseen, such as the ordinary or the abandoned, her work addresses the passage of time and intangible boundaries.
© Text and pictures by Elise Helm