Deforestation is one of the main causes of the devastation of ecosystems and territories. In Galicia, the disappearance of the native forest is caused by different political, social and economic factors that result in a great environmental impact. Cartografía do esquecemento (Cartography of oblivion) points out the eucalyptus industry and fires as two of the main destructive agents of the Galician natural environment.
The images display a fragmented geographical journey, with different elements that dialogue with each other from the detail and the particular. The journey begins in the native forest represented by some symbolic species, such as chestnut, oak or birch trees. The vision that is built around these is intimate, lyrical and affective, emphasizing the link with the territory through photography. Furthermore, the high environmental and cultural value of these forest masses allows them to be established as axes of resistance. The eucalyptus appears instead as an intrusive and suffocating element: it is an invasive species, native to Australia, and it’s used in the manufacture of cellulose pulp and biomass. Eucalyptus logging began to develop during the Franco regime thanks to its rapid growth and economic profitability. Currently, it has become a widespread practice throughout the Galician territory. The abandonment of rural areas, together with the lack of sustainable and ecological forest management, have undoubtedly benefited its expansion in recent decades.
The native forests preserve biodiversity and act as firebreaks, while the eucalyptus desertifies and impoverishes the soil. Fires, increasingly destructive, accelerate the extinction of all forms of life. The eucalyptus undertakes the process of oblivion; fire intensifies it.
Cartografía do esquecemento sets pain, loss and guilt from a personal perspective, especially critical due to family involvement in the forestry industry. The creation of a “map of oblivion” allows preserving the memory of what is in the process of disappearing.
La deforestación es una de las principales causas de la devastación de los ecosistemas y territorios. En Galicia, la desaparición del bosque autóctono está motivada por diferentes factores políticos, sociales y económicos que generan un gran impacto medioambiental. Cartografía do esquecemento (Cartografía del olvido) señala la industria del eucalipto y los incendios como dos de los principales agentes destructores del medio natural gallego.
Las imágenes exponen un recorrido geográfico fragmentado, con diferentes elementos que dialogan entre sí desde el detalle y lo particular. El trayecto se inicia en el bosque autóctono representado mediante algunas especies simbólicas, como los castaños, robles o abedules. La visión que se construye alrededor de estos lugares es íntima, lírica y afectiva, enfatizando el vínculo con el territorio por medio de la fotografía. El alto valor ambiental y cultural de estas masas forestales permite ubicarlas, además, como ejes de resistencia. El eucalipto aparece, en cambio, como un elemento intruso y asfixiante: se trata de una especie invasora, originaria de Australia, que se utiliza en la fabricación de pasta de celulosa y biomasa. La explotación forestal del eucalipto comenzó a desarrollarse durante el franquismo gracias a su rápido crecimiento y rentabilidad económica. Actualmente, se ha convertido en una práctica muy extendida en todo el territorio gallego. El abandono del rural, junto con la falta de una gestión forestal sostenible y ecológica, han beneficiado notablemente su expansión en las últimas décadas.
Los bosques autóctonos preservan la biodiversidad y ejercen de cortafuegos, mientras que el eucalipto desertifica y empobrece el suelo. Los incendios, cada vez más destructivos, aceleran la extinción de toda forma de vida. El eucalipto emprende el proceso del olvido; el fuego lo intensifica.
Cartografía do esquecemento sitúa el dolor, la pérdida y la culpa desde una perspectiva personal, especialmente crítica a causa de la implicación familiar en la industria forestal. La creación de un mapa del olvido permite preservar la memoria de aquello que está en proceso de desaparición.
ARIADNA SILVA FERNÁNDEZ (b. 1996, Galicia, Spain)
In her photographic and audiovisual work she builds a sensitive and critical perspective on issues of social interest. She investigates the concepts of forgetfulness, identity and territory from her closest context through projects that address ecocide, natural and human landscapes or autobiography.
Degree in Audiovisual Communication from the Open University of Catalunya, Masters Degree in Artistic and Documentary Photography from the TAI School and Masters Degree in Cultural Services from the University of Santiago de Compostela.
Among her recognitions are selections at festivals and residences such as the Canon Student Program 2017 of the Visa Pour l’ image of Perpignan (France), Encontros de Artistas Novos da Cidade da Cultura, Pa-ta-ta Photography Festival or Art Photo Bcn. She was a finalist for the 2020 International Emerging Prize of the Encontros da Imagem de Braga (Portugal), winner of the Xuventude Crea Photography Award granted by the Xunta de Galicia and winner of one of the Albarracín Scholarships of the Albarracín Photography and Journalism Seminar.
She has exhibited individually at the PHotoEspaña Off Festival (My Name’s Lolita Art Gallery), at the Marisa Marimón Gallery or at the Alfonso Kiosco in A Coruña. She has also exhibited in group shows at Encontros da Imagem, at the Cidade da Cultura in Galicia or at the Iglesia de la Universidad in Santiago de Compostela.
In 2018 she published her first photobook ‘Fillos do vento’ (BANCO Editorial), a personal story about Rapa das Bestas and in 2019 she self-published ‘Historias mínimas’, a fanzine of intimate stories.
As a filmmaker, she has received the award for best documentary short film direction from the CREA Awards and has been selected at festivals such as Curtocircuíto, Festival de Cans, Festival de Curtas de Vilagarcía, FIC Vía de Verín or Cormorán Film Fest.
© Text and pictures by Ariadna Silva